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accent according adult aggregate already applied Appoggiatura bass beat become beginning called chant CHAPTER character choral classes clef common compound contains Counting crotchets devotional distinct divided dotted double bars drawn duration effect eight equal equal in length equivalent examples exercises explained flat forms four frequently give given gradually half higher hymn tunes indicated kinds lines Lord lower male voice manner marked means melody METRE minims movement nature necessary nine notes observance occur octaves passages pause piece pitch placed position practical examples present psalm and hymn pupils quavers remain repeated rest scale semibreve semiquavers semitone separated serve sharp short Similarly simple singers singing slow small note sometimes sort sound species stanzas stave sufficient sung syllable Take teaching tone tone tone Treble Voices triple usual various verse written
الصفحة 88 - Watts, and other standard writers, set to original hymn tunes, and arranged for one, two, three, or four voices, with an accompaniment for the organ or pianoforte.