...wall." The author continued for about three hours in a profound sleep, at least of the external senses, during which time he has the most vivid confidence,...without any sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink,...

...wall.' The author continued for about three hours in a profound sleep, at least of the external senses, during which time he has the most vivid confidence...things, with a parallel production of the correspondent expression, without any sensation or consciousness of effort. On awaking, he appeared to nimself to...

...lines of poetry — " if that indeed," says be, ' can be called composition, in which all the nuages rose up before him as things, with a parallel production...any sensation, or consciousness of effort." — On awaking he began to write down these effusions ; but being called off, and detained above an hour,...

...wall." The author continued for about three hours in a profound sleep, at least of the external senses, during which time he has the most vivid confidence,...without any sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen ink,...

...wall." The author continued for about three hours in a profound sleep, at least of the external senses, during which time he has the most vivid confidence,...composition in which all the images rose up before him as tliingi, with a parallel production of the correspondent expressions, without any sensation or consciousness...

...of this composition had almost always happened to him in the production of his poems, viz., that " the images rose up before him as things, with a parallel production of the correspondent expressions." We cannot but believe that usually his " visions flit very palpably before him," from the effect of...

...wbi.-li (mi'1 he has tho most vivid confidence that he could not have componed 1екч thiui from two lo nil the image« rose UP b<Ttir<j him an things, witli n parallel production of the correspondent expressions,...

...for about three hours in a profound sleep, at least of the external senses, during which time he had the most vivid confidence, that he could not have...without any sensation or consciousness of effort. On awaking, he appeared to himself to have a distinct recollection of the whole : and taking his pen,...

...senses, during which time he luw the most vivid confidence, that he could not have compound less tlmn from two to three hundred lines ; if that indeed can be called composition in which all the images roso up before him as things, with a parallel production of the correspondent expressions, without...

...author continued for about three hours in a profound sleep, at least of the external senses, daring which time he has the most vivid confidence, that...production of the correspondent expressions, without any se%sation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection...