Les lieux communs du roman: stéréotypes grecs d'aventure et d'amour

الغلاف الأمامي
BRILL, 01‏/01‏/1993 - 248 من الصفحات
The author uses an extensive study of the five Greek novels preserved by tradition since Roman times (Chariton, "Chaireas and Callirhoe," Longus, "Daphnis and Chloe," Xenophon of Ephesus, "Ephesiaca," Achilles Tatius, "Leucippe and Clitophon," Heliodorus, "Ethiopica") to show how the novel form, from its origins, has been based upon the repetition of commonplaces, , which allows an interplay with the reader. The commonest of these commonplaces, love-Eros, provides the plot of the five novels, in an order which is itself topical: meeting and love at first sight, wounds of love and lovesickness, lovers separated, lovers put to the test by the sea and by pirates, lovers reunited. The heroes of Greek novels, always young, good-looking and well-born (even if their identities are left unclear), allow for easy reader identification. From Xenophon of Ephesus (the most primitive form of the novel) to the "Ethiopica" (a true work of art), the Greek novel had already explored all the main narrative possibilities of the genre.
 

المحتوى

LE ROMAN GREC ET LES LIEUX COMMUNS
1
ROMANESQUE RÉALITÉ ET FICTION
15
LE ROMAN GREC ET SON INFLUENCE
41
LESPACE ET LA POPULATION DU ROMAN LIEUX ET LIEUX
60
LE ROMAN DAMOUR
106
AVANT LA RENCONTRE AMOUREUSE LES TOPOI DE PRÉ
119
LES TOPOI DE LAMOUR
137
LAMOUR VIENT DU TEXTE OU LA LITTÉRATURE EN MIROIR
156
LES OBSTACLES DE LAMOUR
175
COMMENT COMMUNIQUER ?
195
LES BIJOUX DU STYLE
209
Index des passages cités
225
Index des œuvres et auteurs cités
233
Bibliographie
240
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